2024-1

(Last updated January 7, 2024)

Inspired by the Great Books curriculum at St. John’s College and the reading list suggested by The Taruskin Challenge.

1. 김영민. 2020. 『공부란 무엇인가』. 어크로스.
2. 엄태웅, 최윤섭, 권창현. 2019. 『대학원생 때 알았더라면 좋았을 것들』. 클라우드나인.
3. 최유준. 2011. 『음악 문화와 감성 정치』. 작은이야기.
4. Abbate, Carolyn. 1991. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, NJ: Princeton University Press.
5. Abbate, Carolyn. 2004. “Music—Drastic or Gnostic?” Critical Inquiry 30 (3): 505–36. https://doi.org/10.1086/421160.
6. Abbate, Carolyn, and Roger Parker. 2012. A History of Opera: The Last 400 Years. New York: W. W. Norton.
7. Adorno, Theodor W. 1976. Introduction to the Sociology of Music. Translated by E. B. Ashton. New York: Seabury Press. Originally published as Einleitung in die Musiksoziologie by Suhrkamp Verlag, Frankfurt-am-Main, 1962.
   • DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. New York: Cambridge University Press. 『아도르노 그 이후: 음악사회학을 다시 생각한다』. 정우진 옮김. 한길사, 2012.
8. Adorno, Theodor W. 2002. Essays on Music. Selected, with introduction, commentary, and notes by Richard Leppert. New translations by Susan H. Gillespie. Berkeley: University of California Press.
9. Benjamin, Walter. 2008. The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media. Edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin. Translated by Edmund Jephcott, Rodney Livingstone, Howard Eiland, and others. Cambridge, MA: Belknap Press. 『기술복제시대의 예술작품/사진의 작은 역사 외』. 최성만 옮김. 길, 2007.
10. Cadwallader, Allen, David Gagné, and Frank Samarotto. 2020. Analysis of Tonal Music: A Schenkerian Approach. 4th ed. New York: Oxford University Press.
    • Bottge, Karen M., Allen Cadwallader, and David Gagné. Student Workbook to Accompany “Analysis of Tonal Music: A Schenkerian Approach.” 4th ed. New York: Oxford University Press.
11. Caplin, William E. 1998. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York: Oxford University Press.
    • Caplin, William E. 2013. Analyzing Classical Form: An Approach for the Classroom. New York: Oxford University Press.
12. Chion, Michel. 1994. Audio-Vision: Sound on Screen. Edited and translated by Claudia Gorbman. New York: Columbia University Press. Originally published in French as L’Audio-Vision by Editions Nathan, Paris, 1990.
13. Cone, Edward T. 1974. The Composer’s Voice. Berkeley: University of California Press.
14. Cone, Edward T. 1989. Music: A View from Delft; Selected Essays. Edited by Robert P. Morgan. Chicago: The University of Chicago Press.
15. Cook, Nicholas. 2013. Beyond the Score: Music as Performance. New York: Oxford University Press.
16. Cook, Nicholas. 2021. Music: A Very Short Introduction. 2nd ed. Oxford: Oxford University Press. First published 1998. 『음악에 관한 몇 가지 생각』. 장호연 옮김. 곰출판, 2016.
17. Cook, Nicholas, and Mark Everist, eds. 1999. Rethinking Music. Oxford: Oxford University Press.
18. Dahlhaus, Carl. 1982. Esthetics of Music. Translated by William W. Austin. New York: Cambridge University Press. Originally published in German as Musikästhetik by Musikverlag Hans Gerig, Cologne, 1967.
19. Dahlhaus, Carl. 1983. Foundations of Music History. Translated by J. B. Robinson. New York: Cambridge University Press.
20. Dahlhaus, Carl. 1989. Nineteenth-Century Music. Translated by J. Bradford Robinson. Berkeley: University of California Press. Originally published as Die Musik des 19. Jahrhunderts by Akademische Verlagsgesellschaft Athenaion, Wiesbaden, 1980.
21. Eco, Umberto. 2015. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. Cambridge, MA: The MIT Press. 『논문 잘쓰는 법』. 김운찬 옮김. 열린책들, 2006.
22. Gjerdingen, Robert O. 2007. Music in the Galant Style. Oxford: Oxford University Press.
23. Goehr, Lydia. 2007. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Rev. ed. New York: Oxford University Press. First published 1992.
24. Harvey, David. 2003. Paris, Capital of Modernity. New York: Routledge. 『모더니티의 수도, 파리: 자본이 만든 메트로폴리스 1830–1871』. 김병화 옮김. 글항아리, 2019.
25. Hepokoski, James, and Warren Darcy. 2006. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York: Oxford University Press.
    • Hepokoski, James. 2021. A Sonata Theory Handbook. New York: Oxford University Press.
26. Jankélévitch, Vladimir. 2003. Music and the Ineffable. Translated by Carolyn Abbate. Princeton, NJ: Princeton University Press. Originally published as La Musique et l’Ineffable by Éditions Armand Colin, 1961.
27. Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music. Rev. ed. Berkeley: University of California Press. 1st ed., 2004. 『소리를 잡아라』. 허진 옮김. 마티, 2006.
    • Katz, Mark. 2022. Music and Technology: A Very Short Introduction. New York: Oxford University Press.
28. Kerman, Joseph. 1980. “How We Got into Analysis, and How to Get Out.” Critical Inquiry 7 (2): 311–31. https://doi.org/10.1086/448101.
    • Agawu, Kofi. 2004. “How We Got Out of Analysis, and How to Get Back In Again.” Music Analysis 23 (2–3): 267–86. https://doi.org/10.1111/j.0262-5245.2004.00204.x.
29. Kerman, Joseph. 1985. Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press. 『음악을 생각한다』. 채현경 옮김. 궁리, 2006.
30. Kerman, Joseph. 1988. Opera as Drama. New and rev. ed. Berkeley: University of California Press. 1st ed., New York: Alfred A. Knopf, 1956.
31. Lewin, David. 1986. “Music Theory, Phenomenology, and Modes of Perception.” Music Perception 3 (4): 327–92. https://doi.org/10.2307/40285344.
    • Bard-Schwarz, David, and Richard Cohn, eds. 2015. David Lewin’s “Morgengruß”: Text, Context, Commentary. New York: Oxford University Press.
32. Lewin, David. 2006. Studies in Music with Text. New York: Oxford University Press.
33. Marx, Adolf Bernhard. 1997. Musical Form in the Age of Beethoven: Selected Writings on Theory and Method. Edited and translated by Scott Burnham. New York: Cambridge University Press.
34. McClary, Susan. 1986. “A Musical Dialectic from the Enlightenment: Mozart’s Piano Concerto in G Major, K. 453, Movement 2.” Cultural Critique, no. 4, 129–69. https://doi.org/10.2307/1354338.
35. McClary, Susan. 1991. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press. Reprinted with a new introduction, 2002. 『페미닌 엔딩: 음악, 젠더, 섹슈얼리티』. 송화숙, 이은진, 윤인영 옮김. 예솔, 2017.
36. McLuhan, Marshall. 1994. Understanding Media: The Extensions of Man. Cambridge, MA: The MIT Press. 『미디어의 이해: 인간의 확장』. 김상호 옮김. 커뮤니케이션북스, 2011.
37. Ratner, Leonard G. 1980. Classical Music: Expression, Form, and Style. New York: Schirmer.
38. Rosen, Charles. 1997. The Classical Style: Haydn, Mozart, Beethoven. Exp. ed. New York: W. W. Norton. 『고전적 양식: 하이든, 모차르트, 베토벤의 음악 언어』. 장호연 옮김. 풍월당, 2021.
39. Rothfarb, Lee, and Christopher Landerer. 2018. Eduard Hanslick’s “On the Musically Beautiful”: A New Translation. New York: Oxford University Press. 『음악적 아름다움에 대하여』. 개정판. 이미경 옮김. 책세상, 2018.
40. Schachter, Carl. 2016. The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory. Edited by Joseph N. Straus. New York: Oxford University Press.
41. Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books. Originally published as The Tuning of the World by Knopf, New York, 1977. 『사운드스케이프: 세계의 조율』. 한명호, 오양기 옮김. 그물코, 2008.
42. Schenker, Heinrich. 1979. Free Composition: Volume III of New Musical Theories and Fantasies. Translated and edited by Ernst Oster. 2 vols. New York: Longman. Originally published as Der freie Satz by Universal Edition, Vienna, 1935. Reprint, Hillsdale, NY: Pendragon Press, 2001.
43. Scher, Steven Paul, ed. 1992. Music and Text: Critical Inquiries. Cambridge: Cambridge University Press.
44. Schorske, Carl E. 1981. Fin-de-Siècle Vienna: Politics and Culture. New York: Vintage Books. 『세기말 빈』. 김병화 옮김. 글항아리, 2014.
45. Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Middletown, CT: Wesleyan University Press. 『뮤지킹 음악하기』. 조선우, 최유준 옮김. 효형출판, 2004.
    • 최유준. 2016. 『크리스토퍼 스몰, 음악하기』. 커뮤니케이션북스.
46. Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press. 『청취의 과거: 청각적 근대성의 기원들』. 윤원화 옮김. 현실문화, 2010.
47. Straus, Joseph N. 2006. “Normalizing the Abnormal: Disability in Music and Music Theory.” Journal of the American Musicological Society 59 (1): 113–84. https://doi.org/10.1525/jams.2006.59.1.113.
48. Taruskin, Richard. 1995. Text and Act: Essays on Music and Performance. New York: Oxford University Press.
49. Taruskin, Richard. 2009. The Danger of Music and Other Anti-Utopian Essays. Berkeley: University of California Press.
50. Taruskin, Richard, and Christopher H. Gibbs. 2019. The Oxford History of Western Music. College ed. 2nd ed. New York: Oxford University Press.
    • Taruskin, Richard. 2005/2010. The Oxford History of Western Music. 5 vols. New York: Oxford University Press.